Відео

Wonderful interpretation

Such a commanding performance here by Radu Lupu!

Волшебно❤

All by my self?

*Although it was heartbreaking, it did not appeal to emotions, and the melody came from the heart and moved my heart. So I started including it in my main repertoire. ”Among the 12 songs, he chose March, May, and October as “the ones that touch my heart the most.”* (from his recent interview)

뛰어난 피아니스트 소콜로프의 피아노 소리가 충격적이고 매우 크게 마음을 울리네요.....

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Very brutal visceral performance. I wasn’t expecting it to be so good.

Браво. Соколову. Браво. Подвижникам. Которые. Жертвуют свои. Жизни. Ради. Высоких. Целей

素晴らしくて、言葉がでない❣️ 日本に来て欲しい。生であなたの演奏を聴きたいで🎶🎹 I hope you will come to Japan near futuer😄❣️

最近はこの様な棒弾きのようなフレーズの長い音の聴き方が出来るピアニストは少なくなった パフォーマンス優先の演奏は要らないので

This century's greatest loss

Оооо,, Гениально, то слезы, тот восторг, то Просто Счастье! Руки,

藤田さんのモーツァルトは軽やか且つ優しい。素敵です。 ブラボー！🎉

Enregistrement scandaleusement pourri, probablement piraté

하나님의 은혜와 사랑과 보호하시고 도우심의 축복이 윤찬님의 일생토록 함께 하시기를 기도합니다🙏 하나님께서 주신 달란트로 하나님 영광 받으소서🙏

Nobody like Sokolov.

I have been an admirer of Schiff since he played the D minor 'Concerto in the final of the leeds Piano Competition because of which he came fourth but he was the best of the finalists and I cannot remember who the others were This tingles doesn't, the whole of one being is alive and alert and that is Schiff's art. It always has been

1.25배속으로 보는듯한 템포네요~~

22:20

Please note, I'm not a translator. But I acknowledge the desire to hear word from sokholov, especially since anything available from him is so very rare. So I give it my best shot - don't blame me for mistakes, please. --- Sokholov: You know, music is not a profession, it is a part of life. Musicians are paid, but they don't play for money. --- Interviewer: It's easy for Sokholov to say, not because he won the Tchaikowsky competition with only 16 years and up to today earns a lot of money with his concerts throughout the world. You might assume that for the almost 60 years old chubby Sokholov money and fame is of little importance, when you see him cross the stage, right hand on his back like a waiter, with stoic face, sitting down on the piano stool while still bowing. He's interested in a different thing. Asked for his home, the permanently traveling St.Petersburger gives a strange answer. Sokholov: Concerts are a part of life. I cannot imagine life without concerts. My life is tightly connected to concerts. I never travel without concerts. Nowhere. Interviewer: Don't you like being at home? Sokholov: I do! But withtout concerts it's much worse. --- Interviewer: In the 70s and 80s Sokholov didn't have permission for western travels during his great soviet-career. Since he doesn't care (at all) for promotion, it took a long time until the western world acknowledged his rank. He prefers a half-filled concert-hall than a full one. Acoustics in a half-filled concert-hall are better, he thinks. At least from the stage. To him, there is only the stage. Sokholov: Concert-athmosphere is important, but that's a bit of a one-way street. From stage to audience. Not back. You can feel that. You can feel the audience. That's difficult. The audience might hear a piece for the first time and I have sacrificed my whole life for it. --- Interviewer: Instead of the dualism between stage and audience, duality for Sokholov is something within the interprete himself. Whoever has experienced him in one of his concertos cannot withdraw from the magic of his piano-playing. It is born from the risky dialectic between simultaneous devotion to the heart and the control of the heart. Sokholov: If you have the whole audience crying that doesn't mean you're crying yourself. You cannot play (when you're crying). If you play a piece called fog play like fog, nothing will transfer. You have to play fog crystal clear. That means that you have to split yourself ("you're always double"). --- Sokholov: It's like life. A new day is interesting to live. Nobody commits suicide after one day. I'm always different. Probably even tomorrow with a different concert-hall with a different piano it's possibly different. That's why the interpretation will be different. It's impossible to explain music in words. The more precise you talk about music, the further away from music you get. --- Sokholov: Frankly, I don't like records. It's the same as with fresh food and canned food. With good artists, concerts are always way better than records. With mediocre artists, records are way better than the concerts. That's the reason for the big crisis. --- Interviewer: It's strange that sokholov the concert-pianist and cd disdainer as a piano-colleague solely admires the studio artist and concert-hall evader Glenn Gould. The number of records of Sokholov at the french mini-label Opus 111 is single digit, the number of his concert-recordings legend. Sokholov: There are many concert-recordings located in Paris. Opus 111 did it, there are radio-recordings, lots of material. But honestly I don't have the time to travel there and listen to all recordings and decide which is better, which is ok. And then you have to cut it. It's a pain. For example I never play the same. I believe the best is as in the old times. A concert recording without cuts. --- Interviewer: He stays a studio-evader, the dread of marketing. That way he became cult, because cult is free of advertisement. If cult makes you odd, then Grigory Sokholov is at least wondrous which relates to the word wonder. He's a wonder of concentration. Concentration on the essential, the desired. Sokholov: I need to have a strong wish to play something. That's the most important thing. Sometimes I know ... We are lucky people. We do what we want to do. We do what we like.

38:40

Me qhen i jav penut buter with waturmelin

gotta love the 7:13 - 7:32

❤

Only he can produce that tone♬

懐かしい、アヴェベルムコルプス

Eine Sternstunde der Menschheit !

I m listening now his playing first note make me happy

泣きそうな時に聴いたら完璧泣く。

See how the orchestral musicians in the background are depressed 😅

The sound is so clear, it’s like crystal clear water! And the performance quite extraordinary! Definitely the best I have ever seen or heard!! 🌟😎🙌👏❤️🎹 Rach

Superb 👍👏👏👏

I had the privilege to watch this master at work, on the stage. I took a photo with him and everything, focused on stage but the nicest person on earth backstage. Such an experience

Hi! Have you got the other pieces of this concert?

Una permanenza dolorosamente lunga in un doloroso stato di insolubilità, sia ai tempi di Scriabin che adesso, è una prova per l'anima, che tuttavia trova gioia.

17:32

um expetaculo Grigory MARAVILHOSO

Wonderful

Scintillating beyond words

With Nobu everything is a tune, everything sings. Listen to all the other great pianists and in my opinion nothing sings in the same way.

Such a curious title. But it’s Scriabin. PWG

🥲Adagio......tears!!! Thank you Maurice Thank you Helène

The infamous leaping passage defeated even Volodos!

Stunning! 👏🏻👏🏻👏🏻